{"id":12668,"date":"2014-03-07T14:30:49","date_gmt":"2014-03-07T03:30:49","guid":{"rendered":"http:\/\/www.aspistrategist.ru\/?p=12668"},"modified":"2014-03-11T08:01:40","modified_gmt":"2014-03-10T21:01:40","slug":"aspi-suggests-7mar","status":"publish","type":"post","link":"https:\/\/www.aspistrategist.ru\/aspi-suggests-7mar\/","title":{"rendered":"ASPI suggests"},"content":{"rendered":"
Headlining today is the news that the code of conduct\u00a0on intelligence activities (also called a ‘code of ethics’)\u00a0between Australia and Indonesia\u00a0hasn’t shown much progress of late<\/a>. The Indonesian President proposed the CoC last year (first via Twitter<\/a>) as a means to rebuilding diplomatic ties in the wake of spying allegations. Australia has provided its draft of the CoC to Indonesia but is yet to receive a response. Foreign Minister Julie Bishop is concerned that Indonesia’s Parliamentary election, scheduled for April, will hold things up further. While cooperation in a number of other areas like trade remains intact, the signing of a CoC will be an important signal that bilateral ties have ‘normalised’ and is a pre-condition for the resumption of some forms of suspended cooperation like military exercises.<\/p>\n This week, the United States released its Quadrennial Defense Review<\/a>, a legislatively-mandated review of Department of Defense strategy and priorities, as well as the FY2015 Defense budget. For the main points, here’s a quick fact sheet<\/a> (PDF). At a glance, the QDR seems to emphasise science, technology and R&D into cyber capabilities<\/a>. CNAS adjunct fellow Travis Sharp looks at the impact on ground forces\u00a0<\/a>of high-tech modernisation<\/a>\u00a0given the QDR\/FY2015 budget’s\u00a0prioritising of technology. Meanwhile, CSBA’s Todd Harrison scrutinises the FY2015 budget<\/a>, finding:<\/p>\n The FY 2015 FYDP only funds Army active end strength at 420,000, Marine Corps active end strength at 175,000, and does not fully fund the refueling and overhaul of the USS George Washington aircraft carrier, which would leave the Navy at 10 carriers.<\/p><\/blockquote>\n Turning now to Northeast Asia, Scott Snyder and Brad Glosserman argue<\/a> that political solutions to tension in Japan\u2013South Korea relations will fail if each country’s national identity continues to be pitted against the other. As an example of unhelpful behaviour, the authors point to the opening of a memorial hall in South Korea, named in honour of Ahn Jung-geun<\/a>, an independence activist who in 1909 assassinated a Japanese colonial governor of Korea. Ahn is seen as a ‘terrorist’ in Japan, yet ‘freedom fighter’ in Korea. The\u00a0authors also propose four steps Tokyo and Seoul could adopt to build a better understanding between the sides; these include the establishing of a day (other than 15 August) for both Japan and South Korea to commemorate the historical events of the 20th century as equals.<\/p>\n Can too much cultural affinity cause war? Over at The Monkey Cage<\/em>, Akos Lada argues<\/a>,\u00a0contrary to what Huntington says about a ‘clash of civilisations’, what’s striking about Ukraine and Russia is the cultural similarities between them, rather than differences. Lada explains:<\/p>\n Elites in repressive regimes are threatened by a culturally-similar country where citizens are becoming empowered. The example of the two Koreas illustrates such a conflict vividly. North Korean citizens are most likely to push for change when they are inspired by a culturally-similar democracy such as South Korea. As a result, North Korean dictators work to prevent their citizens from learning about South Korean democracy. They even use force against South Korea to ensure that North Korean citizens see their Southern brothers as an enemy rather than a model.<\/p><\/blockquote>\n The full research paper on cultural affinity and war can be found here<\/a>.<\/p>\n Lastly, back in 2010, photographer Lalage Snow captured portraits of British soldiers before, during and after their deployments to Afghanistan<\/a>. Taken over a series of eight months, the triptychs document the physical transformation of men and women at war.\u00a0In\u00a0this interview<\/a>, Snow says ‘This project was about making the Afghan war personal, I guess, and not just about numbers’. Snow’s work follows in the footsteps of others such as Claire Felicie’s 2009\u201310 project\u00a0Marked<\/em>\u00a0which similarly depicts the\u00a0before, during and after-deployment faces of Marines in Afghanistan<\/a>.<\/p>\n<\/a><\/p>\n